“I totally understand why so many Jews want to eat pork. Pork is a symbol of defiance. Secular Israelis eat it to make a statement and resist the religious hegemony of the Israeli government.”

When you ask a modern Jew about her relationship to pork the answer is often complicated. With SMITH Magazine’s “Six Words on the Jewish Life” show approaching (September 21, at 92YTribeca in NYC) we thought we’d check in with Jeffrey Yoskowitz, a Jew who’s made pork his passion and profession as founding editor of the storytelling site Pork Memoirs. As with many life callings, Yoskowitz recalls the moment when he made his mind up about pork once and for all.

“What would you do if Cindy Crawford wanted to kiss you?” a fellow camper asked him at Jewish summer camp. “But she had just gone to town on a huge bacon sandwich, and she still had bacon in her mouth?” Would Yoskowitz man up and kiss Crawford or keep kosher like a good Jew?

“Truth is, at that age if Cindy Crawford had wanted to kiss me, I would have done anything, but my answer was no. I wouldn’t kiss her if she had bacon in her mouth,” says Yoskowitz.

Yoskowitz’s yearning to lock lips with Crawford may have waned since his Jewish camp days, but his fascination with bacon has not. While you won’t find Yoskowitz chowing down at a pig roast, don’t be surprised if he personally raised and slaughtered the main course himself.

Yoskowitz has made a career out of his fascination with pork. In addition to founding Pork Memoirs, he has written extensively about pork in The New York Times, The Atlantic, and The New Republic. He earned his stripes by working on a pig farm in Israel, where he spent his days covered in pig excrement, tossing out dead pigs, and collecting boar semen. “It’s called ‘milking’ the boars, and it was a promotion from being an all-around cleaner of pig shit,” says Yoskowitz.

“I have a fascination with pork,” he continues, “but it’s not so much a fascination with the meat itself as it is with the idea of pork and what pork represents. To me the pig is so tied to my Jewish identity, whether it’s cultural or religious, and that identity is always in flux and changing.”

Read on for SMITH Magazine’s interview with Jeffrey Yoskowitz on Jewish culture, pork, and his succulent Pork Memoirs. (more…)

“I never would have dreamed that this book would be the big hit. One constant in my career is that I’ve always written the shit I’ve wanted to write.”

Before Adam Mansbach wrote the children’s book for grownups, Go the Fuck to Sleep, he was, in his own words, “feverishly working on all kinds of different writing projects, hoping one would hit and keep me from having to move out of my house and into a discarded refrigerator carton.”

It’s an overstatement, perhaps, but effective motivation nonetheless. Working outside the mainstream, Mansbach has, in reality, had previous success most writers would consider a victory. His first novel, Angry Black White Boy, about the assimilation of hip-hop culture by whites, has been taught at more than 60 colleges, universities and high schools, and has been turned into a play that sold out for three straight months in San Francisco. His most recent novel, The End of the Jews, was called “beautifully portrayed” by The New York Times Book Review and “intense, painful and poignant” by the Boston Globe. Recently a visiting professor of fiction at Rutgers University, he’s also written another novel, Shackling Water, a poetry collection, Genius B-boy Cynics Getting Weeded in the Garden of Delights, as well as A Fictional History of the United States With Huge Chunks Missing. And yet within a few days of the incredible viral run of Go The Fuck To Sleep, Mansbach had sold more copies than the sum total of all of his previous books—before it was even released.

A book for adults about the misery that is trying to get small children to sleep, Mansbach and artist Ricardo Cortes have found genius, and gold, in a presentation that’s exactly like a child’s bedtime story. As GTFTS approaches its official release this Father’s Day, its mere fourteen verses of text and accompanying illustrations has a print run of more than 300,000 copies, been optioned as a movie, and completely changed the life of its author, illustrator, and publishing house.

I spoke with the 34-year-old Mansbach by phone while he was gearing up for his book tour with a visit to his hometown of Newton, MA. As we spoke, the cries of my four-month old baby not sleeping provided an apt soundtrack in the background. (more…)

“I’ve always transcended best by pretending that I’m Margaret Mead viewing a scene for the first time or an alien from another planet regarding the spectacle of life on Earth and discovering how spectacular, unexpected, and beautiful it is.”

Diane Ackerman, bestselling author of A Natural History of the Senses, An Alchemy of Mind, and The Zookeeper’s Wife, has built a reputation on her poetic sensibility and uncanny knack for scouting out connections between the heavens, Earth, and everything in between. In her latest memoir, One Hundred Names for Love: a Stroke, a Marriage, and the Language of Healing, Ackerman navigates between the science of aphasia, the culture of illness, and her marriage to author Paul West with graceful and surefooted verve. (more…)

“Writing a book became my form of mourning—my mourning ritual. I was able to put my experiences into language, which would sometimes feel beautiful for me.”

Meghan O’Rourke, a much-lauded poet and literary critic, began her career as an editor at The New Yorker. Later, she became the culture editor and literary critic at Slate and a poetry editor at The Paris Review. A sharp observer of sexism in literary fiction and poetry, she has written on the gender gap in literary magazines and the “unconscious gender bias” with regards to women writers.

Now O’Rourke, 35, has produced a very different kind of work, a memoir about her experiences grieving the loss of her mother to cancer. In the vein of Joan Didion, The Long Goodbye chronicles both O’Rourke’s own challenges with grief as well as that of her family. (more…)