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posted Monday, January 1st, 2007 leave a comment or trackbacklink to this page or email a friend
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This is going to be an amazing project, an important work. I can’t wait to read the next installments.
What an ominous and impressive prologue. Can’t wait to read more, Josh.
Wow…this is great stuff, Josh. I can’t wait to read the rest.
Incredible. Really excited to watch AD develop…
Nice detail. Are you working off of arial photographs? Scale and architecture look very accurate.
Thanks, Heidi. I’m hard at work on part II of the prologue, which will be up next week. Thanks for plugging the project!
I’m using a lot of photographic reference for this project — especially for the prologue. About half the images are directly from photos, while the others use photos as a resource, but the angle (and many details) come out of my head.
The contraflow in the first panel is terrific. Made me puzzle over the highway sign facing the wrong direction until I remembered… Very nice.
(Antigravity’s LJ sent me here. Looking forward to reading more.)
josh, instinct told me when we talking about your upcoming trip that it would inspire something like this. so glad the wait is over — powerful work, maybe your best. keep growing,
g./
WOW! Really amazing beginning; the illustrations completely suck you in. Although I know how the story ends, I can’t wait to see the rest.
Excellent visuals. Looking forward to the rest! Good job!
That’s cool. I wonder if any of you jerkoffs are really from New Orleans. If not, you clearly don’t know what’s going on.
but yeah .. looking forward for the rest … haha
Nice perspectives…nice lead in too. You could could shoot a movie from these panels. Well done.
Chris
Compelling
this is a really intresting picture i wonder whats gunna happend next!!!!!
[...] simply cannot wait to get your hands on this one, you can read the original version of the piece here, at SMITH Magazine, as well as hear updates from Neufeld on his blog, watch and listen to [...]
This is a very interesting way to tell a very emotional/ powerful story!!
Do you think there is a critical need for a definition of the experience of reading graphic novels with interactive multimedia web links? Because, reading A.D: New Orleans after the Deluge on the Internet with interactive multimedia web links gave an experience that was not like a book and it certainly was not like a magazine. Can you think of a resolution to request the experience of reading the A.D: New Orleans after the Deluge, on the Internet?
[...] even have to visit if you want to click through all of the original webcomic’s images here. Here’s a video of how it was [...]
[...] format and the short bursts of narrative and frames. It was originally serialized on the web at SMITH magazine. (As you know, In Cold Blood was originally serialized in The New Yorker). But he’s still [...]
[...] Webcomics kann man in der Regel kostenlos lesen. Die Monetarisierung findet durch freiwillige Spenden (>>Crowdfunding), den Verkauf von Print-Versionen (z.B. via >>Crowdpublishing) oder Merchandizing statt. International erfolgreiche Beispiele für die Kombination von Gratis-Webcomic und Print-Verkauf sind „Zahra’s Paradise“, „Sailor Twain“ oder „A.D. New Orleans after the Deluge“. [...]
[...] which is featured in today’s New York Times and can be read in its original web version here. Reading about them caused me to remember vividly sitting here that August and following what was [...]
[...] survived Hurricane Katrina. He published their stories in a serialized online graphic novel called A.D.: New Orleans After the Deluge, later collected in a New York Times bestselling book from [...]
[...] Original webcomic version of A.D. [...]
This book is good and has great foreshadowing
It was beautiful
What an ominous and impressive prologue. Can’t wait to read more
Incredible. Really excited to watch AD develop…
This is going to be an amazing project, an important work
Nice perspectives…nice lead in too. You could could shoot a movie from these panels. Well done
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